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European Makeup: The Long Argument Between Adornment and Concealment

Four centuries in which the face was painted with great effort and the painting denied with equal effort — traced here through England, Ireland and Venice.

The essayThe Long Argument Between Adornment and Concealment

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An Englishwoman of the late sixteenth century in a linen ruff, her brows plucked almost away and her hairline pushed back, her face and throat a flat dense white, beside a pot of white lead paste and iron tweezers.
Commissioned illustration
Britain, Ireland, Italy and Greece · 5th century BCE – 1930Artifice & Denial
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What this archive can show of the European tradition is not a sequence of looks but one unresolved argument: cosmetics were used continuously for four centuries by people who agreed, in public and frequently in print, that using them was a form of lying.

Artifice & Denial

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