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Medieval Makeup: Piety, Pallor and the Recipes Behind Both

A thousand years in which painting the face was condemned from the pulpit and written down, in detail, by physicians.

The essayPiety, Pallor and the Recipes Behind Both

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A medieval collage: a woman with a high plucked forehead, pale skin and veiled hair, beside an illuminated manuscript leaf, a small horn vessel and dried saffron threads.
Commissioned illustration
500 – 1500Faith & Adornment
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Medieval Europe condemned cosmetics as an interference with God’s work while its physicians wrote them down as medicine: the twelfth-century Salernitan compendium known as the Trotula devotes an entire treatise, De ornatu mulierum, to preparations for the skin, hair, teeth and face.

  • Pale and PlainThe ideal face looked untouched, whatever it took.
  • High ForeheadThe hairline was plucked back; brows thinned almost away.
  • Written as MedicineCosmetic recipes survive inside medical compendia.
  • Under SuspicionVisible paint was a moral charge, not just a style.

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