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Ebony Fashion Fair: The Show That Needed Its Own Makeup

From 1958 a touring fashion show put Black models on runways across America, including in the Jim Crow South. Its producer later started a cosmetics company, because the makeup her models needed was hard to find.

Illustrated portrait plate of a Black fashion model of the late 1950s glancing back over a bare shoulder in an off-the-shoulder evening gown, a spotlight behind her, her deep brown skin finished evenly, with defined brows, a fine winged line and a deep berry-red mouth.
Commissioned illustration

Ebony Fashion Fair began in 1958 as a section of Ebony magazine under Eunice Walker Johnson, toured until 2009 raising about $55 million for charity, and — because matching makeup for its models was hard to find — led in 1973 to Fashion Fair Cosmetics.

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In 1958 a fashion show went on the road. Its models were Black, and for half a century it toured by bus, through the Jim Crow South among other places, until 2009.[1]

The Ebony Fashion Fair is remembered as a fashion institution and a charity. It belongs in a history of makeup for a simpler reason: its producer had difficulty finding makeup that matched her models’ skin, and in 1973 she started a company to make it.[2]

Eunice Walker Johnson

Eunice Walker Johnson (1916–2010) was born in Selma, Alabama, and studied at Talladega College and at Loyola University Chicago. She married John H. Johnson in 1940, two years before Johnson Publishing was founded, and she gave its best-known magazine its name, Ebony.[3]

By the early 1950s she was the company’s secretary-treasurer and wrote for its pages.[3] The Fair would be the project most closely identified with her.

The Show

The Fair began in 1958 as a section of Ebony magazine and grew into a touring production that Johnson created, produced and directed, with an all-Black staff.[4][5] Its models travelled by bus, with seats removed to make room for their long legs, and the tour went through the Jim Crow South.[6]

The shows were also fundraisers, and the totals they reached are large enough that the accounts disagree about them: about $55 million for African-American charities such as the United Negro College Fund and sickle-cell research by one, more than $51 million by another.[6][5]

The Same Decade

The Fair went on the road in the years the cosmetics industry was learning to sell through broadcasting. Hazel Bishop had become the country’s largest television cosmetics advertiser by 1953, and in 1955 Revlon bought a whole quiz show to sell its lipsticks.[7][8]

The Fair reached its audience differently: in person, a city at a time, on a stage and a runway. It was there, rather than in any advertisement, that the shortage of makeup for darker skin became a practical problem for the show’s producer.

A Business With a Public of Its Own

Johnson’s was not the only Black-owned beauty enterprise with a public of its own in the 1950s. In Harlem, Rose Morgan’s House of Beauty employed twenty-nine people and served about a thousand customers a week; she sold her own line of cosmetics and staged fashion shows at the Renaissance Casino and the Rockland Plaza. When her new House of Beauty opened in February 1955, ten thousand people came.[9]

The Makeup Problem

Dressing a touring company of models is one problem. Making up their faces is another. According to one account, Johnson had difficulty finding makeup shades that matched her models’ skin tones, and in 1973 she created Fashion Fair Cosmetics in response.[10] The exhibition biography written for the Fair’s retrospective puts her role more cautiously — as one of those involved in creating the company — and gives its purpose as cosmetics in shades for deeper skin tones.[11]

The company became one of the first Black-owned cosmetics lines sold internationally. It reached its commercial peak in 2003 and then declined, as other brands began to carry shades for Black women and the department stores that sold it closed.[12] In 2019 it was sold to Desiree Rogers and Cheryl Mayberry McKissack.[13]

That story belongs to the 1970s and after. The gap the company was made to fill belongs to the 1950s, when the show that exposed it first went on the road.

What Is Not Known

A story often told about the Fair, that its models blended their own foundation to find a match, is not told by any of the sources used here, and this account does not repeat it as fact.

Nor do they describe, product by product, what the models wore on the runway in the 1950s. The Fair’s place in the history of makeup is clearer in the company it led to than in the shows themselves, and an account of the early runway faces would need sources this archive does not yet hold.

The figures differ between accounts: the total raised for charity is given as about $55 million or as more than $51 million.[14][15] And whether Johnson created Fashion Fair Cosmetics herself, or was one of those who created it, depends on which account is read.[16][15]

  1. [1, 6, 14]Lyden, Jacki. The Ebony Fashion Fair: Changing History On The Catwalk NPR, 2014.View source (opens in a new tab) Accessed 2026-10-03.
  2. [2, 4, 10, 16]Duster, Chandelis R.. 50 Years of Couture: New Exhibit Celebrates Fashion Empire NBC News, 2017.View source (opens in a new tab) Accessed 2026-10-03.
  3. [3, 5, 11, 15]Milwaukee Art Museum. Inspiring Beauty: 50 Years of Ebony Fashion Fair — Biographies Exhibition pages, 5 February to 3 May 2015, 2015.View source (opens in a new tab) Accessed 2026-09-25.
  4. [7]Bennett, James. Hazel Bishop Cosmetics and Skin.View source (opens in a new tab) Accessed 2026-09-22.
  5. [8]Bennett, James. Revlon (1945–1960) Cosmetics and Skin (updated 6 June 2024), 2012.View source (opens in a new tab) Accessed 2026-10-03.
  6. [9]Contemporary Black Biography. Morgan, Rose Meta 1912(?)– Encyclopedia.com (Gale).View source (opens in a new tab) Accessed 2026-10-03.
  7. [12]Bellamy, Claretta. New documentary captures legacy of Fashion Fair, one of the first Black-owned makeup lines NBC News, 2022.View source (opens in a new tab) Accessed 2026-09-22.
  8. [13]Johnson Publishing Company Sells Fashion Fair Cosmetics BeautyMatter, 2019.View source (opens in a new tab) Accessed 2026-09-22.